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Before Kohei Yoshiyuki took his Canon 7 to the parks of Tokyo in the nineteen seventies, voyeurism had existed in Japanese artwork for centuries, as while in the sexually billed literary will work of Junichiro Tanizaki or inside the seemingly simple erotic woodblock prints of Ukiyo?�e.??touches by a bad decorator. https://andersonf320mzl3.rimmablog.com/profile

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