When I heard “Passing Me By” in 1992, I understood the lo-fi aesthetic in the crackling needle and distorted, ghostly organ sample from Quincy Jones’ “Summer in the City”. The saxophone precursor to the chorus also introduced me to a more sophisticated rap-jazz fusion. This video was posted to https://musiclofimeaning26315.tkzblog.com/31046267/lo-fi-bedtime-beats-fundamentos-explicado